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A girl who is probably too sardonic for her own good.
Film, TV, Comics, Literature, Male Objectification.

Have you ever been alone on this train? When was the last time you were alone? You can’t remember, can you? So please do take your time.

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#babes   #film   

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Marion Cotillard and Michael Fassbender in MacBeth

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#ooooh   #film   


American Beauty
Sam Mendes. 1999

Mr. Smiley’s
20105 Saticoy Street, Winnetka, CA 91306
See in map

See in imdb

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While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]

The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]

1 week ago @ 13:27 with 2,540 notes   (FROM, ORIG.)
#yes good   #film   

Favorite FilmsDeath Becomes Her (1992)

This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.

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We go forward.

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Jesse James, the youngest, has a face as smooth and innocent as a schoolgirl. The blue eyes, very clear and penetrating, are never at rest. His form is tall and graceful and capable of great endurance and great effort. Jesse is lighthearted, reckless, and devil-may-care. There is always a smile on his lips.

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ParaNorman (2012)
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